Volunteers! You’re Our Fuel!

You’re Our Fuel!!

Your Victoria Ballroom Dance Society runs on the energy and dedication of Volunteers… people just like you, people who love to dance and who bring other skills from the rest of their lives. Frankly, we’re a fun bunch!!  Here are a couple of opportunities; come join us!!!

If we’re lucky enough to get your help with our Membership Committee, you’ll be advising your board on ways to enhance the membership’s experience with VBDS. Some of the ways we’ll do that include but are not limited to:

  • Assisting with Class Registrations and Ballroom Introductions
  • Devising FUN ways to improve membership retention year to year
  • Updating and maintaining our Membership and contact information list

Interested? You can contact our membership committee at: membership@vbds.org

If you choose to volunteer for the Dance Committee, you’ll be an important part of advising the board on matters relating to FUN!… also known as: dances sponsored by VBDS. As a part of a team, you will have the opportunity to share your ideas and use your creative talents to:

  • help organize the Monthly Dances
  • coordinate the music, and 
  • help organize the next New Year’s Dance

Interested? You can contact our dance committee at: dance@vbds.org

Our Dance Syllabus

Elegant Standard: The Foxtrot

Because of its smoothness, it is often referred to as the Rolls Royce of the standard dances. It is what Fred and Ginger used to do so well. “The object of smooth dances is to move or travel smoothly around the room, covering as much of the dance floor as possible. The couple should be streamlined, two people moving as one, gliding fluidly and forcefully around the dance floor. Imagine a room filled with stiff whipped cream. The dancers’ goal is to move smoothly and powerfully through the cream, charting a clean path without disrupting any of the cream around them.” This is one of the best descriptions of our goal in smooth dancing. It is from the book, “ABC’s of Ballroom Dance”.

It is generally believed that a Vaudeville star by the name of Harry Fox began what today we call the Foxtrot. In the summer of 1914 Harry and his company of “American Beauties” put on a dancing act in the New York Theater. As part of his act, he was doing trotting steps to ragtime music, and people referred to this dance as “Fox’s Trot”. When the British dance masters imported this American ballroom dance to England, they smoothed away the trotting, hops and kicks to a much smoother version which has endured over the years.

Our Dance Syllabus

Sizzling Latin: The Paso Doble

The origin of the Spanish-styled Paso Doble dance represents a bullfight, where the lead takes the role of the bullfighter, while the follow takes on the flare of the red cape of the toreador and not the bull, as often assumed. Together, the lead and follow move dramatically, often changing roles as they move around the imaginary bull, while they present flamenco elements and feature arena fights with stylized figures.

Its present form was created in France and since 1959 it has been one of the five dances of the Latin American program of international ballroom competition. In terms of its usefulness in your dance development, it is probably the best dance for your development of a strong and stylistic frame, one of the great challenges beyond learning your footwork.